Saturday, September 13, 2014

Back to Basics....Life Drawing

Lately I've been feeling uninspired about painting.  It happens to all painters now and then I suppose, but its  an unpleasant feeling.  There's a nagging voice saying, "Get out there and paint!" and a whining voice saying, "I'm tired, and I don't have anything to paint anyway and besides....."  I was feeling just that way yesterday (Friday) as I sipped my morning coffee.  And then it occurred to me that on Fridays, the Sacramento Fine Arts Center (SFAC) has a open studio life drawing session.  I have gone in the past, but Friday's are a part of my work week and it's not always possible.  But I decided to find my drawing materials, get myself moving and get over there.  I'm glad I did.

Oh my, am I rusty.  I felt a lot of nervousness about the whole thing.   And I got there late, so I had the worst possible location in relation to the model.  And then there was setting up and deciding whether to use charcoal or conte or pencil or pastels or.....?   Yes, my "You can't do this! Who are you kidding?" voice was working overtime.  I can always depend on that old  faithful "friend" to show up.  I remember reading once that the louder the inner voice is yelling at you to quit, go home, cease and desist....the more you can be sure you're doing the right thing!

My figure drawing skills need a LOT of improvement, but going down there and drawing was exactly what was needed.  Not only did I spend three hours of much needed drawing practice but I felt so energized when I returned home that I spent another three hours in the studio painting a still life.  It was a good day.  I'll be going back to the SFAC for life drawing whenever I can.

We did a lot of quick sketches followed by some longer poses.  I think these were both 15 minute sketches.  Both are charcoal. 





My Art Site: Bruce Hancock Fine Art

Friday, August 22, 2014

"Carnie" Figure in Oil

This "Carnie" (or "Carney") was spotted at the Carnival section of the Amador County Fair a few weeks ago.  It was mid afternoon on a very hot summer day and business was a little slow, apparently.  I had stopped to enjoy a corn dog and beer when I spotted him.

This is an 11 x 14 on stretched canvas.  I tried to keep the very busy background as loose and abstract as I could.  I wanted only the Carnie and the Sledge Hammer Bell Tower to stand out.  This painting was completed in about 3 -4 hours in two sessions.   The first was the block in kept very abstract and the second was spent defining the elements that I wanted to have as the focus.

I really enjoyed the way this painting came together.  It seemed almost effortless.  Having a great subject matter definately helped!  (The corn dog and the COLD beer was good too!)

Carnie   11 x 14 Oil on stretched canvas 


Here's the block in at the end of the first session.

Carnie   WIP



My Art Site: Bruce Hancock Fine Art

Friday, July 18, 2014

White Vase - Still life

Painting still life is a restful and cathartic experience for me.  I've been distracted from the easel lately by many things.  Home improvement projects have demanded a lot of time and mental energy for planning and negotiating...but so far have gone well, thankfully.  And the office is busier than it has been in a long time as we finally begin to recover from the long recession / depression.  These are all good things, but they demand mental energy that might otherwise be channeled into the studio.

At these times when creative energy is at a low and the urge to paint is almost nonexistent, still life comes to the rescue.   In this case, I found some fake - yes, not real - 'flowers', a vase, and a brass bowl.  With a few apples and an orange, I was ready to go and painting in minutes.  I didn't worry about 'symbolism' or complexity....I just wanted to paint and forget other demands for awhile.

White Vase    Oil on stretched canvas   16 x 20

The very light area at the right is a light reflection ....that area is actually very dark.  


My Art Site: Bruce Hancock Fine Art

Monday, July 14, 2014

Campaspe - Best in Show!





Well, talk about pleasant surprises!  I checked in with the Sacramento Fine Arts Center to see if my version of John Godward's Campaspe had been accepted into the "In the Style of the Old Masters" show at their gallery....and I found that not only had it been accepted, but it won Best In Show!

I'd love to take full credit, but obviously Mr. Godward created the beautiful "Campaspe" about 100 years or more before I even knew what (or who) a "Campaspe" was.  I thoroughly enjoyed copying  a portion of his incredible work...and maybe modernizing it just slightly, more from a lack of ability to copy his work faithfully than from a plan.  The work of these artists of the "classical" period has been unappreciated for a long time, but the more I learn about and study them, the more I am at a loss to explain why.  John W. Godward created a masterful work in every way.








My Art Site: Bruce Hancock Fine Art

Saturday, June 28, 2014

Copying the Masters - Campaspe by J.W. Godward


 I've been in a bit of a painting slump for the last month or so.  Things have gotten very busy at the office and I've had less time for the studio.  I find, too, that when things are busier and more intense with the business, it is much more difficult to switch mental gears and paint.

Anyway, the Sacramento Fine Arts Center announced a show "Influenced by the Masters" and I thought that was an intriguing idea and a 'guided' way to get a little painting in.  I've copied Masters before.  It's a fabulous exercise - humbling too, I might add.   Several years ago, I copied "Classic Beauty" by John William Godward, an English artist (b 1861- d 1922) and so I went back to his works to search for another painting to copy.   I found "Campaspe" in the Art Renewal Center ( http://www.artrenewal.org/ ) library, which is an incredible place.  I highly recommend it.  The original is a very tall and vertical painting, but I wanted something a little less challenging, so I turned it into a horizontal of just a portion of the original.  If you haven't painted from the Masters, you should.  It's a wonderful learning experience....and it will give you new-found respect for what they were able to do.

Because I wanted to copy the style of the painting as much as possible (it isn't possible!) I did a fair amount of glazing on this painting, something I typically don't do. Where Godward captured exquiste form and detail, I was forced to suggest it - both by time and ability.   But wow, this is fun to do.  How these brilliant painters did the incredible work they did is beyond me.  I can only marvel and appreciate.

The plein air frame was the only gold frame I had at hand.  The painting gets submitted today, so it will have to do.  Actually, I kind of like it.

Copy of a portion of Campaspe by J.W. Godward    Oil on stretched linen  12 x 16
Here is John William Godward's exquisite work

Campaspe   John William Godward


 By the way, Campaspe was a mistress of Alexander the Great and a prominent citizen of Larissa.  She was reportedly a model for several great works. In this painting by Giovanni Battista Tiepolo, the ancient Greek artist Apelles paints Campaspe as Alexander keeps a watchful (and suspicious?) eye on the proceedings. 
Giovanni Battista Tiepolo

Painting from the Masters is just an all around great experience.  Try it!



My Art Site: Bruce Hancock Fine Art

Saturday, June 14, 2014

Sutter Creek Scene - Plein Air


Howard Rees and I met up in Sutter Creek on Friday to enjoy the beautiful summer weather and get some plein air painting in.  The morning couldn't have been more pleasant.  We went to the small park which is pinched between a parking lot and a small stream which bisects the town.  If you didn't know it was there, you'd probably never find it.

I have been working in my studio very sporadically on a copy of a painting by John Godward.  Other than that I haven't been behind the easel much for several weeks.  It was good to get out there once again.

This is the rear of a group of buildings which border the creek.  I was on one side of the water, in the park, looking across.  I've painted the main building before...it's the home of Pizza Plus, definitely great pizza!  And cold beer. 

Sutter Creek Scene   12 x 16 oil primed linen panel. 
To purchase or bid on this painting, CLICK HERE

My Art Site: Bruce Hancock Fine Art

Saturday, May 17, 2014

Stylin' A Model A "portrait" in oil

Recently I visited a most unusual show of antique Caterpillar tractors along with collections of other antique 'working' vehicles, including logging trucks.  The Hangtown As, a Model A restoration club out of Placerville, California ( once called Hangtown in the Gold Rush days) joined the show.   I got some great pictures of all of the equipment.

This beautiful Model A convertible is a 1931 vintage I believe.  She is stunning in bright yellow on a summer day.  I couldn't really do her justice, but it was fun to try.


Stylin'     oil on 8 x 10 linen panel  

To Purchase this painting, please click HERE


My Art Site: Bruce Hancock Fine Art