Monday, August 12, 2013

Blair - A Portrait

At a studio session with Suchitra Bhosle, I painted this portrait from our model Blair.  This is the second time Blair has been our subject.   This time Suchitra added a bit of a costume and a glass bottle as a prop.  I didn't feel that I did well in the studio session.  Time was even more limited than usual and I didn't feel that I had control of the painting when I left for the day.  Fortunately I had a decent photograph of Blair and I decided to see if I could pull the painting out in my own studio.  At first it didn't go well....I felt I was adding layer on layer of wet paint and everything felt mushy.  Finally, gathering my courage....and fighting the urge to call it quits....I scraped the face area down with the edge of a palette knife, leaving just a ghost image.  I started again, blocking in shadows and adding lights slowly. 

I'm satisfied with the result.  Mostly I'm glad I didn't give up on it.  It is a much better feeling to see a painting through to an acceptable - if not totally successful - conclusion.

This is my final portrait of Blair.  It's oil on canvas panel.  12 x 16.

Blair   Oil on 16" x 12" RayMar canvas panel. 



My Art Site: Bruce Hancock Fine Art

Sunday, August 11, 2013

The Dancer Revisited - Portrait

I photographed this beautiful 'belly dancer' at a recent Festival in a park in Rancho Cordova, a suburb of Sacramento.  I'm painting a nearly full length figure / portrait of her, but in spite of the wonderful subject matter, it has been a struggle.  Along the way, I painted a quick sketch of a head and shoulder portrait that I posted earlier.  It was an entertaining break from the larger painting.  However I have continued to struggle with the larger work.  Even the background has me completely stymied.  Once again I turned to the portrait to try a completely abstract...and very light....background.  I also couldn't resist taking the actual portrait to a higher degree of finish.  It's still far from finished, but it was a good exercise once again.  I like the very bright and warm background against her dark skin and costume.  Back to the bigger painting again....

Here's the Dancer portrait revisited.  It's 16" x 12" oil on canvas.

The Dancer Revisited  16 x 12 oil on canvas.
 



My Art Site: Bruce Hancock Fine Art

Saturday, August 3, 2013

A Kiwi in Locke - Plein Air

 Today the Sacramento Plein Air Painters met in the on-going First Saturday paint-out in Locke.  A good number showed up and it was a really lovely summer morning.  I found this little spot looking through a vacant lot on Main Street and into the back yard fence and yard of a small house beyond.  At this time of the morning the west facing house and fence were in deep shade, but the tin roof was beginning to emerge into sunlight and the yard was getting full sun.  A New Zealand flag hung from the beam of the rear porch.  I learned learned later that the lady living there is a New Zealander...and I had a chance to say hello.  

I pushed the darks hard on this Plein Air Study in the hope of emphasizing the lighted areas.  The roses were in the light for the most part and were quite striking, but I didn't have an appropriate red to make them pop.  When the painting drys a bit, I'll add a little emphasis in the rose blooms.

It was a great morning in Locke once again.

A Kiwi in Locke   Oil on panel   16 x 12 






This original plein air painting is available unframed at
My Art Site: Bruce Hancock Fine Art

White Vase and Peonies - Still Life

Still life paintings are usually a chance to "let go" with color.  It's one of the reasons I find them so invigorating to paint.  Yesterday's still life was quite the opposite: a lesson in restraint.  The white vase and white flowers made this painting all about values.

White Vase and Peonies   Oil on canvas  12 x 16


This original oil painting is available at
My Art Site: Bruce Hancock Fine Art

Tuesday, July 30, 2013

Yellow Roses and Pink Flowers - Still Life

I'm beginning to think of still life painting as a sort of therapy.  When I'm totally frustrated and at a loss with whatever painting I'm currently working on...or even if I just need a break...still life seems just what the doctor ordered.  This still life served just such a therapeutic purpose.  I'm currently working on two involved paintings, one a figure in a complicated costume and the other a large landscape.  Neither seems to be going particularly well at the moment.  It was time for a break from the struggle. 

Last weekend I wandered into the garden, clipped some yellow roses and some pink flowers. (I don't know what the pink flowers are...but the "bush" they are growing on is the size of a small to medium tree.  I don't cut it as I probably should because it provides some much needed shade on the small patio adjoining my studio.)   I haven't used this particular vase before so I put the flowers in and around it, draped a white towel over my cardboard still life "stage" and away I went. 

I have about four hours in this 16" x 12" painting.    I'd like to do a bit more study on still life painting and in particular, learn more about painting flowers, but until I do I find these simple setups a lot of fun to do.  There's something pretty freeing about still life...and those wonderful colors are just great to dive into! 

Yellow Roses with Pink Flowers   Oil on canvas  16 x 12"




My Art Site: Bruce Hancock Fine Art

Thursday, July 18, 2013

Murphy to the Rescue! Cleaning Old Brushes

When I first began painting, I was pretty careless with my brushes.  For the most part I used bristle filberts which held up reasonably well to my vigorous painting style, but not to my neglect.  I rarely cleaned my brushes thoroughly: if I did any cleaning at all it was a quick dunking in the OMS and a wipe off.  Over time I collected jar after jar of stiff, unresponsive and virtually useless brushes.  Most of them should have been thrown away long ago.

Some time ago, I was told about Murphy Oil Soap as a brush cleaner, and I've even tried it a few times with success, but I never paid a lot of attention, frankly.  Recently I noticed the jars full of useless brushes littering my studio, and Murphy Soap came back to mind.  It's available at any grocery or hardware store, so the next time I was shopping I picked up a bottle.  I can't remember what I paid, but it's inexpensive.  I partially filled a glass jar and tossed in a few of my worst brushes.  I checked back a few days later and found a minor miracle had occurred.  My brushes were almost like new...the bristles clean, soft and pliable again.  I'm now going through the whole collection of ruined brushes a few at a time.  I don't know what the heck I'm going to do with all these "new" brushes.

Here's a picture of Murphy Oil Soap for your information.  Next to it you'll see my brushes 'soaking'.   One thing you'll notice is that the Murphy in the jar has coagulated to the consistancy of vaseline.  I imagine that is due to evaporation of some part of the soap.  However, I haven't noticed any lessening of the cleaning power as a result.  I just dunk the brushes in the gunk!  It works.  After a few days, I wipe the brush down and then wash with either a conventional brush cleaner or plain ol' dishwashing soap.  I have found a couple of brushes that were beyond repair.  If the old paint is too built up at the base (or belly) of the brush, just above the farrell, it may not be possible to clean it out to a new condition.  It could be that eventually Murphy would even get that problem, but I figure if it won't do it in a couple of days of soaking, it's not worth the effort.

Nowadays, I'm very careful with my brushes and I clean them properly after every session, but it's been fun to see my old neglected brushes ready to go again.  I have more than I know what to do with!

By the way, Murphy works fantastically on dried acrylic brushes also.  In fact, it seems to clean them more quickly than the oil brushes.




My Art Site: Bruce Hancock Fine Art

Sunday, July 7, 2013

Rose in a Coke Bottle - Still Life

More roses!  Today was a hot Sunday afternoon.  But I'm not complaining: it was a perfect California Summer Day!  About 3 PM I'd finished all the chores to prepare for the week and I had the urge to paint.  I knew I wouldn't have much time, so I decided to do another simple still life.

My granddaughter Lily had left a coke bottle on the table on the backyard deck and it caught my eye.  I pruned a couple of roses from the garden and set up this simple still life.  The yellow roses quickly wilted because they weren't in water, and by the end of the painting, they were flat and shapeless...and that's my excuse for why mine look flat and shapeless in the painting!  I really need to spend some time learning to paint roses!

This painting is done on Ampersand Gessobord.  It's a very slick surface and I like it quite a bit.  It takes some getting used to...and I'm not totally there yet...but the colors stay on the surface nicely.  I have about 1 1/2 hours in this small study.  When it sets a bit, I'm going to have another go at the roses, I think.

Roses and Coke Bottle    12" x 9" Oil on Gessobord  





My Art Site: Bruce Hancock Fine Art