Showing posts with label oil sketch. Show all posts
Showing posts with label oil sketch. Show all posts

Thursday, November 20, 2014

Night in Noyo Harbor - Oil Study

Each time I've traveled to Ft. Bragg, California to paint, I've stayed in a motel that overlooks the Noyo Harbor.  And each time I've taken many pictures of the harbor from my balcony.  My particular favorites have been at night, when the lights from the restaurants and other businesses, as well as a few lights from the fishing industry buildings, sparkle in the deep dark of the valley that surrounds the harbor.  I've often thought of painting from the photographs, but I've never tried a night painting before.

Today I decided to do a small 9 x 12 study as a practice, with the thought that I might try something bigger if that worked out.   Here's my study, done in about 1 1/2 hours this morning.

Night in Noyo Harbor - Study   9x12 oil on canvas panel 


I used only a few colors here.  Primarily, the darks are Ultramarine with Cold Gray to lighten and red or Alizarin to darken.  Of course, there are lights done with Cad Yellow Lemon, Cad Yellow Deep, and some Cad Red Medium.  Here and there are some hints of green done by mixing the yellow and blue.  


My Art Site: Bruce Hancock Fine Art

Friday, February 28, 2014

"Helen" Oil Figure Study


 Another open studio day at Patris Studio and Gallery.  The rain came down in torrents at times.  Inside the studio there were only four painters plus Helen, our model.  It was warm and peaceful.  The sound of the rain on the roof was soothing and welcome in our drought parched valley.

This was another 2 to 21/2 hour oil sketch.  Good practice.  Once again I felt that the morning was successful.  I've fallen in love with the Isabey Mongoose Brights that I have and this evening I ordered several more, including some new sizes.  The chisel shape is wonderful and the feel of the brush on oil primed linen is magic.


Helen   Oil Sketch on Linen   16" x 12"


My Art Site: Bruce Hancock Fine Art

Sunday, August 18, 2013

Corn Dogs!

Like the post immediately before this one, the subject matter of this sketch was a photo taken at the Amador County Fair this year.  That's a great event that I would recommend to anyone.  Small, on beautiful grounds, family friendly....the way I remember that Fairs used to me.

Anyway, I've been a little worn out from wrestling with complicated and more formal paintings, so I decided to do another small sketch.  Once again I used Ampersand Gessobord and once again, my idea was to try to paint quickly...under an hour if possible.  I had planned to paint big shapes rapidly, and then come back to add the little details and calligraphy that can create a feeling of detail in a quick sketch,  but the figures caused me to slow down quite a bit.  I noodled on them much more than I should have, and as a result I ended up spending twice as long as my goal.  Oh well....I did enjoy it a lot.  As I painted I had Qaing Huang's beautiful little urban sketches with people in mind.  Of course, I didn't even land on the same planet as that gifted painter, but I am not displeased.  I like the perspective on this sketch....I think it has a feeling of depth, even though it is not a large landscape. 


Corn Dogs    Oil on 8" x 10" gessobord panel  


My Art Site: Bruce Hancock Fine Art

Saturday, August 17, 2013

Model A Flat Bed

I had a lot of fun doing this small sketch of a Model A Ford flat bed.  I took a picture of the car at the Amador County Fair this year.  Regretfully I forgot to get the exact identification.  I think it's about a 1927 model.

Late next month, I'm going to be painting by invitation at the Ironstone Winery Concours d'elegance, an annual event in Murphys, California.  I'm told that last year there were some 400 classic cars entered!! I imagine there will be chances to paint a few of the classics, so I'm trying to practice a little.  This sketch took about an hour, a little too long, I think.  I'm aiming for about 30 -45 minutes.  Overall, I managed to keep the shapes simple and to maintain a lot of contrast, which seems suitable for a quick sketch. 

This was done on Ampersand Gessobord, a perfect surface for quick studies and sketches.  I plan to take a lot of these panels with me to Murphys. 

Model A Ford flat bed    Oil on panel  9 x 12 


My Art Site: Bruce Hancock Fine Art