The Ironstone Winery Art Show

The Ironstone Winery near the gold rush town of Murphys in the California foothills held its 16th annual "Spring Obsession" art show reception last Saturday.  As I mentioned in earlier posts, I spent several days painting in Murphys last year with a Howard Rees workshop group. (  http://www.howardreesartist.com/ )  On one of the days, we visited the Ironstone Winery to paint on their beautiful grounds.  I was not aware of the art show at that time; however, this year my artist friend Vickie Chew who lives in the area gave me the details and, at the last possible moment, I decided to enter. ( http://vickiechew.com/ )  I entered five paintings into the juried show and four were accepted, including one of my paintings of a small miner's cabin on the Ironstone grounds done during the previous year's visit.  

On Saturday night I was honored to receive a merit award for the miner's cabin plein air painting.  The judges for the show were Kathleen Dumphy, Craig Nelson, and Anamarie Nelson.  Kathleen is a nationally known plein air artist, Craig Nelson is a well known oil painter (I have two of his dvds) and Annamarie Nelson is a faculty member of the Academy of Art University in San Francisco (as is Craig Nelson).  Certainly a very distinguished panel.  There were three blue ribbons and three merit awards given in the open competition.  One merit award was awarded by each of the judges individually.  It was an honor to have Kathleen select my painting.

Of the four paintings I had in the show, this was probably the last one I would have expected to be given an award.  But I do remember the beautiful day painting at Ironstone Winery with my friends, and that in itself was a very special "prize".  

My thanks to Ironstone Winery for putting on this show.  If you are ever in Murphys (which is well worth the visit) be sure to visit Ironstone.  It's very impressive.

PS:  Thanks to Ted Smith, another gold rush country artist, who framed this painting for me at literally the last minute.  I picked it up from Ted on the way to Ironstone!  ( You can find Ted at Gallery 10 in Sutter Creek  http://www.gallery10suttercreek.com/ )
   

South Fork Yuba River - A Small Study

Many, many years ago, I spent some of the best summer vacations of my life in a large cabin along the South Fork of the Yuba River, not far from the little town of North San Juan.  My cousins and the life-long friends of theirs who owed the place all called it "The Ranch".  There were half wild horses, forests and the cold clear river.  And, of course, the "diving rock".  Unfortunately it burned down some time ago, but the good memories of swimming all day in the river will remain with me forever.

A few years ago, my cousin Karen and I took a drive back into the past to North San Juan.  Although we couldn't locate where the Ranch had been, we knew we were close.  I took this photo very near the spot where we once swam as kids.  Today I was in the studio, came across it and did this small study.

Memories of The Ranch  oil on 8" x 6" panel

The Mysteries (and challenges) of Painting ...

Last week, I met with artist friends along the Mokelumne River above Jackson, California.  This is Gold Rush country and it seems there is something to paint everywhere you look.  On this day, we ventured away from architectural subjects and found ourselves facing a rapidly moving river and GREEN everywhere.  I won't go into the problems I have consistently had with painting 'pure' landscapes made up almost entirely of GREEN.  Suffice to say that on this day, I came away with no painting at all, having wiped down my very pathetic attempt in order to save an expensive panel.  That is always a bad feeling.  But I resolved not to let it remain simply an un-fun experience.  If I am to make progress, such outings have to be LEARNING experiences.

I followed up with several hours of study and experimentation with mixing greens which I might talk about in another post, but I also thought deeply about my mental state and how very important that is to a successful painting.  On this day along the Mokelumne River, I was not mentally prepared to paint.  It had been a busy week in the office with several challenging situations arising that remained unresolved.  I brought along my little dog Dixie Doodles for the first time.  She was a good girl all day, but this was an experiment on my part, and it was distracting and new for me.  I kept checking on her and worrying about shade and water.  I was very aware of my previous struggles with "pure" and green landscapes.  And finally, I compromised on what to paint, selecting a location that accomodated Dixie instead of one that I preferred for the subject matter.  The outcome was predicable.

The side of the Murphys Hotel, Murphys, California

I thought back to a successful experience and searched for contrast.  I remembered the first day painting in Murphys, which I have talked about in a previous post.  Of course the architectural subject matter was something I was more comfortable with, but my mental state on that day was wholly different than my day on the River.  On the evening of arrival I walked the town of Murphys and found this wonderful wall of windows with the balcony.  It's the side of the Murphys Hotel, in operation since 1856.

Just enough room to avoid being run over!

I knew as soon as I saw it that this was going to be my first painting of the trip.  In the morning, I set up along the street next to the scene.  I was fresh, excited and mentally focused on this subject.  I was clear on what I wanted.  I envisioned a bold painting with thick paint to capture the rustic, aging subject matter.

The final result and a happy painter!

In my opinion, the Murphys Hotel painting was my most successful effort of the trip.





So what were the lessons I learned by this comparison?


1.  Focus.  Painting isn't easy.  It requires my FULL attention.
2.  Know why I am painting a subject. What do I want to capture and record?  Go for that and minimize everything else. 
3.  Have a plan of how I am going to approach the painting.
4.  Have a vision of what the result will look like.  This doesn't have to be a perfect vision.  There should be lots of room for change and creativity, but I should still have a conceptual idea of the outcome.
5.  Be enthusiastic about my subject matter AND my concept.  If I'm not, it's going to be a struggle.
6.  Don't rush the beginning.  Take time to consider, study.  Make a sketch or two.  Get everything ready BEFORE starting.  Have the right colors, brushes, medium.  

Four Days In Muphys - Day Three and Four

On the third day of our painting trip and Howard Rees Workshop (http://www.howardreesartist.com/) we traveled a few miles down the road to Columbia.  This amazing little gold rush town is now a State Park with shady streets, restored buildings and lots of charm everywhere.  There's no traffic allowed in town, so it's possible to set up the paint gear virtually anywhere.  However, we found ourselves there on a very hot day with hundreds and hundreds of tourists.  While there were many incredible old buildings to paint, it wasn't as easy as it seemed to get a good vantage point, find some shade and stay out of the way of everyone else.  Several of us found a shady little park at the end of the main street right across from this building.

Columbia Store  Oil on Canvas Panel  12" x 16"

I did a second painting in Columbia, but it isn't worth posting.  I went completely astray on that one!

Finally, on day four, our little group returned to Murphys.  We gathered together at a small town park with a stream running through it.  Kids played in the rapidly moving but very shallow water all day.  Inner tubes were the vehicle of choice.  It took me a long way back to some great summers on the  Yuba River near North San Juan California. 

Shady Spot by the Stream (Murphys CA)  Oil on Canvas Panel  12 x 16

I was in the sun (overcast most of the day) and looking into the shade while painting this.  When I got it home, I was taken back at how subdued and dark it was.  However, I've grown to like it quite a bit.  A different painting for me.  Thanks to Howard for several suggestions that got me unstuck as I painted along.  And thanks to Ray, who painted a scene with the underwater rocks first.  I stole his technique!

With reluctance, I left Murphys and the Gold Country in the late afternoon and headed for hot, hot Sacramento.  A great painting trip!  Thanks again to Howard and Janey Rees.

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Four Days In Murphys - Day One

On Sunday July 15 I drove to the Gold Rush town of Murphys, California to meet up with friends for a four day plein air painting workshop.  We gathered Sunday evening to discuss the upcoming itinerary and several of us wandered the little town to explore possible painting subjects.  The evening was exquisite.  Summer was full on and twilight lasted until after 9 PM.  Murphys is often called the Queen of the Sierra.  

Murphys Historic Hotel  

  Scenes like these old buildings were everywhere.  A plein air painters paradise. 

We stayed in Murphys Historic Hotel.  Previous guests include  Mark Twain, Horatio Algiers Jr., John Jacob Astor, Thomas J. Lipton, J.P. Morgan, and former President Ulysses S. Grant. It's been in continuous operation since 1856. 






The next morning I set out to paint.  I had spotted my first location the night before:  the side of the Murphys Hotel, right where I was staying!  I set up along the side street, only a few feet out of the traffic and painted happily away.

Murphys Historic Hotel   Oil on 12 x 16 Canvas Panel 

I spent longer on the painting than I realized, but I was very happy with the result.  I managed to stay loose and use expressive brush strokes. I interpreted rather than copied, changing the overall color from a washed out pink to this much warmer and more dramatic color.  Perhaps most importantly, I resisted coming back and "fixing" things!  hallelujah!!  I'm learning!  

After lunch, I wandered down main street to the Hovey Winery.  The owners were nice enough to allow us to use the grounds for our daily afternoon critiques.  And of course, we drank lots of their wine.  I set up on the walk just outside the grounds and painted a portion of their beautiful wine tasting room.  I like the sense of reflected light in this painting.  And the flag and hanging basket of flowers added just a touch of color.  I was pleased with the overall result.  The owners expressed interest in using my painting in their marketing.  We'll see.  That would be great. 

Hovey Wine Tasting Room at  Murphys   oil on 12 x 16 panel 

Our first full day in Murphys could hardly have been better.   I'll include pictures of the others who attended the workshop in the next post.